Making its Wallis debut, Luminario Ballet of Los Angeles is a repertory ballet, aerial, and modern dance company founded in 2009 by Judith FLEX Helle and the Charles Evans Foundation NY. Luminario has toured globally and performed locally commissioned work with the LA Phil at Walt Disney Concert Hall and across numerous mediums such as music videos, television, film, virtual reality, and soon, NFTs. The company’s two programs include Heroes, Sheroes, and Eros, in which a collective of Luminario Ballet choreographers and special guests explore the tangled paths of history/herstory/ourstory; and The Last Supper – a rollicking tale of Jesus, Judas and Mary Magdalene’s visit to the Coachella Music Festival in 2017. This wild tale of the ages looks at themes of personality, Black Lives Matter, relationships, sexuality, drug addiction, betrayal, and resolution through explosive, emotional dance theater choreography from ballet to acrobatics to aerial dance.
Recommended for ages 13+.
Warning: This production contains references to drug use, smoking, sexual innuendo, and stage violence.
FRIDAY, FEBRUARY 17
Take advantage of the Pay What You Can performance on Friday, February 17! Tickets start at just $10. Join us after the performance in the Goldsmith Lobby for a champagne toast.
HARD AS A ROCK, Judith FLEX Helle
TEND, Adrian Hoffman
WRYD TANGO, Bianca Sapetto-Finck
TOSH THOUGHTS...BREAK ON THROUGH TO THE OTHER SIDE, Jamal Story
HEXENSTUCKE, Dreya Weber
L’INVALIDE (THE INVALID), Judith FLEX Helle
IF THE WALLS COULD SCREAM, Jamal Story
THE LAST SUPPER, Judith FLEX Helle
JESUS ARRIVES ON THE SCENE, Judith FLEX Helle
SINNERS, Judith FLEX Helle
PASSOVER, Judith FLEX Helle
JESUS AND MARY, Jamal Story
THE ALTAR OF SALOME, Judith FLEX Helle
JUDAS’ BETRAYAL, Judith FLEX Helle
COACHELLA, Judith FLEX Helle
JUDAS’ REGRET, Judith FLEX Helle
REDEMPTION!, Jamal Story
Stay after the Friday evening performance for a talk-back with the artists.
Running Time: One hour and 45 minutes, including a 15-minute intermission.
Dance @ The Wallis is made possible in part by a grant from the National Endowment for the Arts.
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